The Flavian Palace, normally known as the Domus Flavia, is part of the vast Palace of Domitian on the Palatine Hill in Rome. It was completed in 92 AD by Emperor Titus Flavius Domitianus, The Cambridge Ancient History. Vol. XI. Cambridge: Cambridge University Press, 2000. and attributed to his master architect, Rabirius.Darwall-Smith, Robin Haydon. Emperors and Architecture: A Study of Flavian Rome. Brussels: Latomus Revue D'Etudes Latines, 1996.
The term Domus Flavia is a modern name for the northwestern section of the Palace where the bulk of the large "public" rooms for official business, entertaining and ceremony are concentrated.Robathan, Dorothy M. "Domitian's 'Midas-Touch'". Transactions and Proceedings of the American Philological Association 73 (1942): 130-144. Domitian was the last of the Flavian dynasty, but the palace continued to be used by emperors with small modifications until the end of the empire.
It is connected to the domestic wing to the southeast, the Domus Augustana, a name which in antiquity may have applied to the whole of the palace.Coarelli, 2014; p.146
The northern exterior of these three rooms had a portico that continued from the west side and which formed the main entrance to the palace facing those coming up on the road from the forum.Archaeological Guide to Rome, Adriano La Regina, 2005, Electa p 64
The poet Statius, a contemporary of Domitian, described the splendour of the Flavian Palace, particularly the Aula Regia, in Silvae, IV, 2:
Awesome and vast is the edifice, distinguished not by a hundred columns but by as many as could shoulder the gods and the sky if Atlas were let off. The Thunderer’s palace next door gapes at it and the gods rejoice that you are lodged in a like abode …: so great extends the structure and the sweep of the far-flung hall, more expansive than that of an open plain, embracing much enclosed sky and lesser only than its master.Statius. Silvae IV. Trans. K.M. Coleman. Oxford: Clarendon Press, 1988.
Although the remains are mainly of low walls today, they would have stretched upwards 30 metres (98 feet) from floor to ceiling, capped by a pitched roof whose beams, probably from Lebanon, must have been concealed beneath a ceiling.Coarelli, 2014; p=147-8 The walls were covered in exotic marble veneer and inset with eight niches which held colossal statues, interspersed with purple Phrygian marble columns and capped by an elaborately carved frieze. Two huge statues of metallic-green Wadi Hammamat stone (an especially prized sandstone from Egypt) representing Hercules and Bacchus were found in situ during excavations in the 18th century; they became part of the Farnese Collection and are housed in the Archaeological Museum in Parma.Coarelli, 2014; p=148
The columns around the peristyle were of yellow Giallo antico, and supported an elaborate sculpted entablature beneath the roof.Platner & Ashby, 1929; p.160
Martial described a banquet given by Domitian there:
Great as is reported to have been the feast at the triumph over the giants, and glorious as was to all the gods that night on which the kind father sat at table with the inferior deities, and the Fauns were permitted to ask wine from Jupiter (i.e. Domitian); so grand are the festivals that celebrate your victories, O Caesar; and our joys enliven the gods themselves. All the knights, the people, and the senate, feast with you, and Rome partakes of ambrosial repasts with her ruler. You promised much; but how much more have you given! Only a sportula was promised, but you have set before us a splendid supper.Martial Ep. 8, 50 Bohn'/ref>
The cenatio is built upon two earlier versions both built by Nero as part of his palace, dating from before (the Domus Transitoria) and after (the Domus Aurea) the Great Fire of Rome in 64, similar in layout to the upper floor,Rome, An Oxford Archaeological Guide, A. Claridge, 1998 , p. 136 and which are mostly still intact under the later floor. Also the exquisite marble floors of the fountains belong to Nero's palace. It comprises a superb design of flowers and climbing plants using red and green Porphyry, Numidian yellow and red, and Phrygian white and yellow. The border is of panels of pink-grey Chios marble framed in green porphyry.
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